On March 6, 2026, the music industry’s relationship with "Big Tech" hit a breaking point. A group of independent musicians filed a 118-page federal lawsuit against Google, alleging that the tech giant systematically "scraped" 44 million audio clips (totaling 280,000 hours of music) from YouTube to train its AI models, including Lyria 3 and ProducerAI. For African artists, who rely on YouTube more than almost any other platform for global distribution, this isn't just a legal

In an era where "global" is the new local, the International Coproduction Fund (IKF) serves as a vital resource for creators who want to build cross-continental masterpieces. This fund isn't just about money; it’s about partnership, specifically designed to encourage collaborative works between artists in different countries.

Gateway to the Globe: Why Visa For Music 2026 is a Must for African Talent

The Biggest Boss: Why Rick Ross Betting on Africa is a Business Signal, Not Just a Compliment

In 2024, K Bili released Letter to the President, a bold 5-track EP that functioned as much as a manifesto as it did a musical project. Through an eclectic blend of rock, Afrobeat, and high-energy rhythms, the EP tackled heavy themes like social awareness alongside personal motivation and love. The lea d single was a heartfelt plea for the children of Africa, calling on leaders to confront corruption and finally prioritize the well-being of their citizens. It resonated as a m

The Suno Apology: Why the "AI vs. Artist" War is Ending—And What's in it for Africa

The $120 Million Milestone: Why Sub-Saharan Africa is the World’s New Music Engine

The 70 Billion Naira Milestone: Inside Nigeria’s Record-Breaking Year on Spotify

$10,000 for Your Art: The "Youth To The Front Fund" is a Game Changer for African Creatives$10,000 for Your Art: The "Youth To The Front Fund" is a Game Changer for African Creatives

In the rapidly evolving landscape of the digital age, few industries have been as disrupted—and as resilient—as music. Today, under the leadership of CEO Robert Kyncl, Warner Music Group (WMG) is not just adapting to change; it is seeking to author the rules of a new era. In his most recent communication to shareholders, Kyncl outlined a vision that pivots the industry from a focus on "subscriber volume" to one of "unlocked value." Here are the three pillars defining Warner M

We Slept On Ebo Taylor"—is a biting critique. It suggests that while the world (from hip-hop samplers like Usher to jazz festivals in Berlin) was celebrating him as a musical deity, his own home, Ghana, failed to give him his flowers while he could still smell them.

The Rise of AI Fraud in Music: Lessons from the Historic Prosecution of Michael Smith

The Frontier of Sound: Navigating the Legal Realities of AI in Music Production (2026 Edition)

The Crisis of Royalty Collection in West Africa and Lessons from Europe

Pan-African Highlights entertainment and sport

Sony’s AI Copyright Sentinel and What it Means for the Creative Economy

How Artists Land AFCON-Sized Stages

Ghana is killing it on the world stage, and I’m here for it! From architect David Adjaye to marketing guru Bozoma Saint John, Ghanaian...