On March 6, 2026, the music industry’s relationship with "Big Tech" hit a breaking point. A group of independent musicians filed a 118-page federal lawsuit against Google, alleging that the tech giant systematically "scraped" 44 million audio clips (totaling 280,000 hours of music) from YouTube to train its AI models, including Lyria 3 and ProducerAI. For African artists, who rely on YouTube more than almost any other platform for global distribution, this isn't just a legal

In an era where "global" is the new local, the International Coproduction Fund (IKF) serves as a vital resource for creators who want to build cross-continental masterpieces. This fund isn't just about money; it’s about partnership, specifically designed to encourage collaborative works between artists in different countries.

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The African continent remained the center of gravity for both high-stakes sports and cultural milestones this weekend. From the podiums of New Jersey to the rally tracks of Naivasha and the vibrant stages of Accra, here is your specialized professional brief on the key developments in Ghana, Nigeria, Kenya, and South Africa.

In the rapidly evolving landscape of the digital age, few industries have been as disrupted—and as resilient—as music. Today, under the leadership of CEO Robert Kyncl, Warner Music Group (WMG) is not just adapting to change; it is seeking to author the rules of a new era. In his most recent communication to shareholders, Kyncl outlined a vision that pivots the industry from a focus on "subscriber volume" to one of "unlocked value." Here are the three pillars defining Warner M

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Africa's tech and AI revolution: Trends and triumphs in late 2025

The role of music in worship is undeniable. From the soaring hymns of ancient cathedrals to the vibrant rhythms of African churches,...